Abstract:Garden culture is an excellent case in China. Translation practice has great significance for inheriting and carrying forward this traditional culture. In spite of its unique spiritual connotations,the academic community has made less efforts to find a practical solution. This article explores the comprehensive aesthetic connotation of three-layer ecology such as natural ecology, social ecology, spiritual ecology in the stone art in An Huaiqi’s Chinese Garden Art, and uses the translation to convey unique ecological wisdom to the world, pointing out that in the perspective of Eco-poetics, the translation practice of garden text can tell the story of Chinese gardens to the world more effectively.